라흐마니노프피아노협주곡4번

페이지 정보

profile_image
작성자한강선착장 조회 9회 작성일 2021-06-15 06:28:29 댓글 0

본문

S. Rachmaninov Piano Concerto no 4 Opus 40 (g) By Boris Berezovsky

Boris Berezovsky, Piano
BBC Young Symphony Orchestra
Antonio Pappano, Conductor
Nelson Pôrto : I'm preparing myself. I will hear this concert with Yuja Wang in jannuary 2018...
Stephen Messick : Really loved this!!!
H.G.I. LLC : That was f***ing awesome!
Tom Devine : Incredible playing! This seems to me the most abstract of the Rachmaninoff concertos. It's taken me several listens to see some of the patterns and motifs R is using. Fascinating.
sam333 : I too have loved this concerto for many years bug I can see why 2 and 3 get the most attention. They're more cohesive and easier to follow this is slightly disjointed and rach said its more personal and introverted . The themes are marvellous from 21.15 to 21.19 he seems to have run out of ideas trying to get back to the main theme and it sounds bad then at 21.39 and 22.26 it's awful like a dance tune
Overall it's beautiful melodies and rich chords etc I played it a few years ago

Sergei Rachmaninov - Piano Concerto No. 4

- Composer: Sergei Vasilievich Rachmaninoff (1 April 1873 -- 28 March 1943)
- Orchestra: Philharmonia Orchestra
- Conductor: Ettore Gracis
- Soloist: Arturo Benedetti Michelangeli
- Year of recording: 1957

Piano Concerto No. 4 in G minor, Op. 40, written in 1926.

00:00 - I. Allegro vivace (Alla breve)
09:35 - II. Largo - attacca subito
15:36 - III. Allegro vivace

When Rachmaninov came to America in the wake of the Bolshevik Revolution, he had little beside his family and his talent. Confronted with the need to make money quickly, he eschewed composition and conducting and went on long concert tours as a pianist. It was not until 1926 that he felt secure enough to take a break and start writing again. His first post-exile work, the Fourth Piano Concerto, was premiered in 1927 with the composer as soloist and Leopold Stokowski conducting the Philadelphia Orchestra. Its public and critical reception was chilly at best. Though Rachmaninov later revised it and rewrote the third movement, the Fourth Concerto has never really gained a foothold in the repertory. It could be that the tone is cooler and more remote than we expect from Rachmaninov -- this is, after all, the work of an exile picking up a lost thread -- or that the structure in the outer movements is harder to grasp. Or maybe it's just that its melodies aren't as memorable, because of a (sub)conscious effort to conform to the popular modernism music style of the time. However, in the hands of an inspired virtuoso like Michelangeli here, the concerto will yield its melancholy secrets.

- The opening Allegro vivace (Alla breve) gets off to a dramatic start with an ascending crescendo from the orchestra and a grand chordal theme from the soloist that searches for a while before finding its home key. This theme and a restless, lyric second subject are developed in rhapsodic manner, reaching a great, extended climax before the movement's abrupt close.
- The main theme of the wistful and nostalgic Largo is in fact memorable, restlessly restated in a series of different keys. It crashes directly in...
- the Allegro vivace finale, which in its whirlwind virtuosity and rhythmic instability recalls the finale of the First Concerto, albeit through the prism of regretful hindsight. Near the end the climactic material of the first movement returns, ushering in a brilliant coda expressing a hard-won optimism.

Michelangeli was usually very reluctant to make records, because of his self-imposed high standards. Here however he felt that his playing was worthy of a recording. It actually went so well, that when Michelangeli played the whole work straight through at the first take, he got up and refused to even contemplate a retake.
Щелкунчик в Пальто : Ох хорош!)))
Gunwoo Kim : 6:20
18:10
Jeremoo : epicxcccxxc
K. : The first minute speaks to me of the power of the resurrection of Christ!
MN : He is the reason I live

RACHMANINOV: Piano Concerto No. 4 in G minor op. 40 / Rachmaninov·Ormandy·Philadelphia Orchestra

RACHMANINOV: Piano Concerto No. 4 in G minor op. 40 / Rachmaninov·Ormandy·Philadelphia Orchestra

즐겁게 들어주세요.
구독 부탁드립니다.

라흐마니노프: 피아노 협주곡 4번 G단조 op. 40

세르게이 라흐마니노프 (피아노) Sergey Rachmaninov (piano)
유진 오먼디 (지휘) Eugene Ormandy (conductor)
필라델피아 오케스트라 Philadelphia Orchestra

I. Allegro vivace 9:45
II. Largo 6:05
III. Allegro vivace 8:45


녹음연도 및 장소: 1941/12/20 Mono, Academy of Music, Philadephia
HEJABVB : 라흐마니노프 피아노 콘체르토 no.4는 라흐마니노프 본인 레코딩이 아직은 제일 마음에 드네요
혜연쓰 : 이곡은 다른 협주곡에비해 유명하지않아서 라흐마니노프 마니아들 외에는 잘 모르는 곡이지요 조성진님이 이 곡도 녹음해주셨으면 좋겠네요
클래식에 맛들다 : 곡 색채가 확실히 1-3번과는 다르죠. 공연장에서 자주 봤으면 좋겠지만 당장 영상도 찾기 힘들다는..ㅠㅠ

... 

#라흐마니노프피아노협주곡4번

댓글목록

등록된 댓글이 없습니다.

전체 4,549건 2 페이지
게시물 검색
Copyright © www.raonesc.com. All rights reserved.  Contact : help@oxmail.xyz